<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>a blog of cover songs made by and for total weirdos, maintained by Jamillah James

secondwaved[at]gmail.com

see also: http://frntrs.tumblr.com</description><title>SECOND WAVE</title><generator>Tumblr (3.0; @second-wave)</generator><link>http://second-wave.tumblr.com/</link><item><title>THE STRANGLERS "WALK ON BY" (1978)</title><description>&lt;p&gt;&lt;iframe frameborder="0" src="http://www.youtube.com/embed/4mzHbY_ikoE" height="315" width="420"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Dionne Warwick (1964)&lt;/em&gt;&lt;br/&gt;&lt;em&gt;cover version appears on&lt;/em&gt; Black and White&lt;em&gt;, 1978&amp;#160;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;My beloved Stranglers and their glorious cover of the Bacharach standard. Dave Greenfield&amp;#8217;s keyboard solo is so very excellent on this (they always were&amp;#8212;Dave&amp;#8217;s totally my favorite &amp;#8220;Man in Black&amp;#8221;). This song is heavy for me presently, coming to me again at the right time. Enjoy!&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/10793580794</link><guid>http://second-wave.tumblr.com/post/10793580794</guid><pubDate>Wed, 28 Sep 2011 22:53:00 -0400</pubDate></item><item><title>FLOWER TRAVELLIN’ BAND “BLACK SABBATH”
originally recorded by...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/l_ooormRbGk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;FLOWER TRAVELLIN’ BAND “BLACK SABBATH”&lt;br/&gt;
originally recorded by Black Sabbath (&lt;i&gt;Black Sabbath&lt;/i&gt;, 1970)&lt;br/&gt;
Appears on &lt;i&gt;Anywhere&lt;/i&gt; (Phillips, 1970)&lt;/p&gt;

&lt;p&gt;R.I.P. Joe Yamanaka&lt;/p&gt;

&lt;p&gt;Flower Travellin’ Band were, for all intents and purposes, Japan’s answer to Black Sabbath, though their style was slightly more discursive. FTB enjoyed a resurgence a few years ago with the reissue of SATORI, their second album (an all around banger, though I prefer 1972’s MADE IN JAPAN). ANYWHERE is mostly comprised of covers, including versions of “House of the Rising Sun” and “21st Century Schizoid Man” (!!!).&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/8620656267</link><guid>http://second-wave.tumblr.com/post/8620656267</guid><pubDate>Sun, 07 Aug 2011 19:41:51 -0400</pubDate></item><item><title>GALAXIS “I WANT MORE” (1978)

I know, long time no...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_7313319147" src="http://second-wave.tumblr.com/post/7313319147/audio_player_iframe/second-wave/tumblr_lnxhk0pHaR1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F7313319147%2Ftumblr_lnxhk0pHaR1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;GALAXIS “I WANT MORE” (1978)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img width="450" src="http://www.vinylsearcher.com/largeImages/15334512.jpg"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I know, long time no post.&lt;/p&gt;
&lt;p&gt;Here’s a weird one…a pretty straight cover of Can’s “I Want More” aka my mom’s favorite song from a mixtape I made her years ago. &lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/7313319147</link><guid>http://second-wave.tumblr.com/post/7313319147</guid><pubDate>Wed, 06 Jul 2011 16:14:24 -0400</pubDate></item><item><title>AKSAK MABOUL &amp;#8220;THE MOOCHE&amp;#8221; (1977)




originally recorded by Duke Ellington (b/w...</title><description>&lt;p&gt;&lt;strong&gt;AKSAK MABOUL &amp;#8220;THE MOOCHE&amp;#8221; (1977)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
&lt;object height="385" width="480"&gt;
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&lt;em&gt;originally recorded by Duke Ellington (b/w &amp;#8220;Mood Indigo&amp;#8221;, 1933)&lt;br/&gt;Cover version appears on &lt;/em&gt;Onze Danses Pour Combattre la Migraine&lt;em&gt; (1977) &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;WOW. Did not know this was a cover. Very exciting, and further testament to Marc Hollander&amp;#8217;s (founder of Crammed Discs; member/founder of Honeymoon Killers, Cos, Les Tueurs de la Lune de Miel; frequent collaborator of Fred Frith) genius.&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/2139848481</link><guid>http://second-wave.tumblr.com/post/2139848481</guid><pubDate>Tue, 07 Dec 2010 23:09:24 -0500</pubDate></item><item><title>COIL &amp;#8220;TAINTED LOVE&amp;#8221;(1985)





originally recorded by Gloria Jones (1964); popularized...</title><description>&lt;p&gt;&lt;strong&gt;COIL &amp;#8220;TAINTED LOVE&amp;#8221;(1985)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Gloria Jones (1964); popularized by Soft Cell (1982).&lt;br/&gt;Cover version available on &lt;/em&gt;b/w &amp;#8220;Panic&amp;#8221;&lt;em&gt; (12&amp;#8221;, 1985) &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;A little late&amp;#8230; but rest in peace, Sleazy.&lt;/p&gt;
&lt;p&gt;More information on &lt;a href="http://en.wikipedia.org/wiki/Coil_%28band%29"&gt;Coil&lt;/a&gt;&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/2139745260</link><guid>http://second-wave.tumblr.com/post/2139745260</guid><pubDate>Tue, 07 Dec 2010 23:00:08 -0500</pubDate></item><item><title>MINIMAL COMPACT &amp;#8220;IMMIGRANT SONG&amp;#8221; (1987)

originally recorded by Led Zeppelin (Led...</title><description>&lt;p&gt;&lt;strong&gt;MINIMAL COMPACT &amp;#8220;IMMIGRANT SONG&amp;#8221; (1987)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img src="http://images.buzznet.com/assets/users8/guanoboy/music/gallery-msg-1116382027-2.jpg?553885535" width="400" height="331"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Led Zeppelin (&lt;/em&gt;Led Zeppelin, &lt;em&gt;1970)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;cover version appears on &lt;/em&gt;The Figure One Cuts &lt;em&gt;(Crammed Discs, 1987)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Been jamming the best of Minimal Compact for a few weeks now. Had heard their name for years, but only just got around to giving them a listen. An intriguing cross-section of Israeli/Mediterranean rhythms and instrumentation, new wave, and post-punk. Must admit, this cover is kind of hilarious&amp;#8230;and excellent, though relatively toothless compared to the original.&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/1595664050</link><guid>http://second-wave.tumblr.com/post/1595664050</guid><pubDate>Tue, 16 Nov 2010 19:58:00 -0500</pubDate></item><item><title>LEATHER NUN &amp;#8220;GIMME GIMME GIMME (A MAN AFTER MIDNIGHT)&amp;#8221; (1986)



originally recorded by...</title><description>&lt;p&gt;&lt;strong&gt;LEATHER NUN &amp;#8220;GIMME GIMME GIMME (A MAN AFTER MIDNIGHT)&amp;#8221; (1986)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
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&lt;em&gt;originally recorded by ABBA (b/w &amp;#8220;The King Has Lost His Crown&amp;#8221;, 1979)&lt;/em&gt; &lt;em&gt;cover version available on &amp;#8220;Gimme Gimme Gimme&amp;#8221; 12&amp;#8221; (1986)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;br/&gt;&lt;/em&gt;ABBA covers done by industrial acts&amp;#8230;well, if it tickles someone&amp;#8217;s fancy, go with it! &amp;#8220;Slow Death&amp;#8221;, their first release, also on &lt;em&gt;The Industrial Records Story,&lt;/em&gt; seen here:&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p&gt;Much better yeah?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://en.wikipedia.org/wiki/Leather_Nun"&gt;more&lt;/a&gt; on Leather Nun&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/1475907935</link><guid>http://second-wave.tumblr.com/post/1475907935</guid><pubDate>Wed, 03 Nov 2010 22:27:00 -0400</pubDate></item><item><title>PINK SECTION “MIDSUMMER NY” (1980)
originally...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_1232551602" src="http://second-wave.tumblr.com/post/1232551602/audio_player_iframe/second-wave/tumblr_l9p2u5i54U1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F1232551602%2Ftumblr_l9p2u5i54U1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;PINK SECTION “MIDSUMMER NY” (1980)&lt;/strong&gt;&lt;br/&gt;&lt;img src="http://www.riot-grrrl.com/wp-content/uploads/2009/12/pink-section.jpg" width="280" height="213"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Yoko Ono (&lt;/em&gt;Fly and “Mrs. Lennon” b/w “Midsummer NY”, 1971) &lt;br/&gt;&lt;em&gt;cover version appears on &lt;/em&gt;Pink Section (&lt;em&gt;Modern 12”, 1980)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;WHY HELLO THERE.&lt;/p&gt;
&lt;p&gt;I almost forgot I had this blog.&lt;/p&gt;
&lt;p&gt;Since the last time I posted, much has changed, chief among which being my zip code! I am now back in the slimy pits of despair known as New Jersey. Fear not, dear reader—I am close enough to New York that I forget all about that small detail!&lt;/p&gt;
&lt;p&gt;In honor of my move, and many other things, I bring you Pink Section’s “Midsummer New York”, a manic cover of Yoko Ono’s honkytonking slow burner from 1971. It’s a real toss up between Yoko’s electronic drum thuds and dramatic “aching”s and Judy G’s Ono-esque, new wave weirdo banshee warble. Pink Section, aside from inspiring the name of a space I ran in Chicago back in 2001, were a San Francisco based act, peers to Tuxedomoon and others. The quartet released one 45, “Shopping” b/w “Tour of China” and a self-titled 12”. The ladies of Pink Section, Judy Gittelsohn and Carol Detweiler went on to form an equally charming, albeit short-lived outfit, The &lt;a href="http://inflatableboyclams.com/"&gt;Inflatable Boy Clams&lt;/a&gt;. The first 15 seconds of IBC’s melancholic “Boystown” was my outgoing voice mail message for nearly a year.&lt;/p&gt;
&lt;p&gt;At any rate, enjoy!&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/1232551602</link><guid>http://second-wave.tumblr.com/post/1232551602</guid><pubDate>Sat, 02 Oct 2010 23:27:00 -0400</pubDate></item><item><title>LEMON KITTENS “SHAKING ALL OVER” (1979)originally...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_868516183" src="http://second-wave.tumblr.com/post/868516183/audio_player_iframe/second-wave/tumblr_l68va6cz7H1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F868516183%2Ftumblr_l68va6cz7H1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;LEMON KITTENS “SHAKING ALL OVER” (1979)&lt;/strong&gt;&lt;br/&gt;&lt;em&gt;originally recorded by Johnny Kidd &amp; the Pirates (1960)&lt;/em&gt;&lt;br/&gt;&lt;em&gt;cover version appears on &lt;/em&gt;Spoonfed &amp; Writhing &lt;em&gt;(Step Forward, 1979)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;from Wikipedia:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“&lt;strong&gt;Shakin’ All Over&lt;/strong&gt;” is a rock and roll song originally performed by Johnny Kidd and the Pirates. It was written by frontman Johnny Kidd and reached #1 in the United Kingdom in August 1960. Themusicians who performed on the recording were Johnny Kidd (vocals), Alan Caddy (guitar), Brian Gregg (bass), Clem Cattini (drums) and Joe Moretti (lead guitar).&lt;/p&gt;
&lt;p&gt;The original recording was not a hit outside of Europe. Instead, “Shakin’ All Over” gained fame in North America after Chad Allan and the Expressions covered it in 1965, where it was a #1 hit in Canada. Several months later, concerned that the effect of the British Invasion might eclipse the potential for success in the US by a Canadian act, the record label issued the song to radio stations in the States on a white label, with the artist listed as Guess Who? This became the first hit for the group in the states, reaching #22 and leading Chad Allen and the Expressions to change the group’s name to The Guess Who.&lt;/p&gt;
&lt;p&gt;The song became a #27 hit in Australia, but another “Shakin’ All Over” cover became a national #1 hit in late 1965 for Normie Rowe. Rowe’s version of the track (backed by “Que Sera Sera”) was one of the biggest-selling Australian singles of the decade.&lt;/p&gt;
&lt;p&gt;Kidd was quoted as saying:&lt;/p&gt;
&lt;p&gt;“&lt;em&gt;When I was going round with a bunch of lads and we happened to see a girl who was a real sizzler we used to say that she gave us ‘quivers down the membranes’. It was a standard saying with us referring to any attractive girl…..I can honestly say that it was this more than anything that inspired me to write ‘Shakin’ All Over’.&lt;/em&gt;”&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Lemon Kittens was the project of multi-instrumentalists Karl Blake, Gary Thatcher, and later Danielle Dax. LK’s sensibilities stood somewhere between that of industrial music and the prevailing post-punk sounds of late 70s Britain. In a word, they were considered “avant-garde”. Blake later participated in The Reflections (mentioned here elsewhere) and Shockheaded Peters, in addition to releasing solo recordings; Danielle Dax has enjoyed a rather prolific solo career. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.myspace.com/lemonkittensofficial"&gt;more&lt;/a&gt; on Lemon Kittens&lt;/p&gt;
&lt;p&gt;UNRELATED NOTE: I have another tumblr that may be of interest to you—&lt;a href="http://frntrs.tumblr.com"&gt;FRONTIERS&lt;/a&gt;; it’s truthfully where I’ve concentrated my limited e-energies as of late. &lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/868516183</link><guid>http://second-wave.tumblr.com/post/868516183</guid><pubDate>Tue, 27 Jul 2010 21:39:00 -0400</pubDate></item><item><title>HIATUS</title><description>&lt;p&gt;Hello readers,&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m taking a break from Second Wave.&lt;/p&gt;
&lt;p&gt;Hope to start reposting again later in the summer.&lt;/p&gt;
&lt;p&gt;Thanks for your support and interest.&lt;/p&gt;
&lt;p&gt;Much,&lt;/p&gt;
&lt;p&gt;J&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/757369222</link><guid>http://second-wave.tumblr.com/post/757369222</guid><pubDate>Thu, 01 Jul 2010 07:39:28 -0400</pubDate></item><item><title>THE SCREAMERS &amp;#8220;AND THE BEAT GOES ON&amp;#8221; (1978)

Originally recorded by Sonny &amp;amp; Cher,...</title><description>&lt;p&gt;&lt;strong&gt;THE SCREAMERS &amp;#8220;AND THE BEAT GOES ON&amp;#8221; (1978)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img height="393" width="400" src="http://www.dubsinister.com/MySpace/screamers2.jpg"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Originally recorded by Sonny &amp;amp; Cher, 1967&lt;/em&gt;&lt;br/&gt;&lt;em&gt;&lt;span&gt; &lt;em&gt;Cover version appeared on &lt;/em&gt;Scuzzy the Death Cone clown Demos (&lt;em&gt;Death Cone, 1978&lt;/em&gt;)&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Hello again.&lt;/p&gt;
&lt;p&gt;I know I&amp;#8217;ve posted another version of this song by the Primitive Calculators, but I&amp;#8217;ve been listening to the Screamers a lot as of late, having gotten back into late 70s California punk. &lt;/p&gt;
&lt;p&gt;
&lt;object width="480" height="385"&gt;
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&lt;/p&gt;
&lt;p&gt;Other gems:&lt;/p&gt;
&lt;p&gt;
&lt;object width="480" height="385"&gt;
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&lt;object width="480" height="385"&gt;
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&lt;object width="480" height="385"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/AyCfq9-mkwA&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/AyCfq9-mkwA&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;
&lt;/p&gt;
&lt;p&gt;For a band who eschewed traditional instrument configuration, favoring waves of wheezy treble, they are SO HEAVY.&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/671606039</link><guid>http://second-wave.tumblr.com/post/671606039</guid><pubDate>Sun, 06 Jun 2010 22:23:47 -0400</pubDate></item><item><title>CRISPY AMBULANCE “UNITED” (1985)

originally...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_599920660" src="http://second-wave.tumblr.com/post/599920660/audio_player_iframe/second-wave/tumblr_l2g26zLe8F1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F599920660%2Ftumblr_l2g26zLe8F1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;CRISPY AMBULANCE “UNITED” (1985)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img height="380" width="450" src="http://userserve-ak.last.fm/serve/_/286991/Crispy+Ambulance.jpg"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Throbbing Gristle (b/w “Zyklon B Zombie”, 1978)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;cover version available on &lt;/em&gt;Fin (&lt;em&gt;Les Temps Modernes, 1985/1990)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Hi.&lt;/p&gt;
&lt;p&gt;Manchester’s Crispy Ambulance have fast entered into heavy rotation around these parts. Their debut full-length, &lt;em&gt;The Plateau Phase &lt;/em&gt;(Factory, 1982), is a stunning document of better musical times, though, it was seriously maligned by most major British press at the time of its release as “plagiarizing Joy Division”. Alan Hempsall is a compelling and charismatic vocalist, and CA’s sound demonstrated experimental leanings moreso than pop. We all know that had Joy Division made it across the pond in 1980, they would have blown up…sort of like Nirvana—a weird “alternative” act that crosses over. The mythology around Curtis’ life and death burnished Joy Division for posterity, and sadly, they may always overshadow the other amazing Factory talent. While great and dear to me, they are not my favorite Factory band, and (dare I say it?) I find them terribly overrated. I listen to Section 25 (another act labelled as a JD ripoff), New Order, A Certain Ratio, and now Crispy Ambulance far more. Luckily, Crispy Ambulance are one of the few Factory acts that are still active—sadly, since I last updated, Larry Cassidy, the leader of Section 25 died—so hopefully, we’ll eventually be afforded the opportunity to give this band some long overdue support stateside.&lt;/p&gt;
&lt;p&gt;ps. Who the hell else has covered Throbbing Gristle? &lt;/p&gt;
&lt;p&gt;more Crispy Ambulance:     
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&lt;/p&gt;
&lt;p&gt;“Travel Time” (my absolute favorite) from &lt;em&gt;The Plateau Phase&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p&gt;“Sexus” available on 12” and reissues of &lt;em&gt;The Plateau Phase &lt;/em&gt;(a bonafide jam)&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/599920660</link><guid>http://second-wave.tumblr.com/post/599920660</guid><pubDate>Sat, 15 May 2010 00:37:00 -0400</pubDate></item><item><title>LAUGHING HYENAS “SOLID GOLD HELL” (1992)

originally...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_426894257" src="http://second-wave.tumblr.com/post/426894257/audio_player_iframe/second-wave/tumblr_kys2s4upCT1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F426894257%2Ftumblr_kys2s4upCT1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;LAUGHING HYENAS “SOLID GOLD HELL” (1992)&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;img height="284" width="450" src="http://www.tgrec.com/images/bands/full/51-1.jpg"/&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;originally recorded by The Scientists (&lt;/i&gt;This Heart Doesn’t Run on Blood&lt;i&gt;, &lt;/i&gt;This Heart Doesn’t Run on Love, &lt;i&gt;Au Go Go 1984)&lt;/i&gt;&lt;br/&gt;&lt;i&gt;cover version appears on &lt;/i&gt;Covers: Stolen Tapes 92-94 &lt;i&gt;(Not On, 1995)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;I actually hadn’t realized that this Laughing Hyenas song was a cover until I was listening to podcasts on WFMU, and came across a show entitled &lt;a href="http://www.wfmu.org/playlists/SA"&gt;“Solid Gold Hell”&lt;/a&gt;, the theme song for which is the Scientists’ original.&lt;/p&gt;
&lt;p&gt;About the Scientists:&lt;/p&gt;
&lt;blockquote&gt;&lt;span&gt; &lt;b&gt;The Scientists&lt;/b&gt; are an influential &lt;a title="Post-punk" href="http://en.wikipedia.org/wiki/Post-punk"&gt;post-punk&lt;/a&gt; band from &lt;a title="Perth, Western Australia" href="http://en.wikipedia.org/wiki/Perth,_Western_Australia"&gt;Perth&lt;/a&gt;, Australia, led by &lt;a title="Kim Salmon" href="http://en.wikipedia.org/wiki/Kim_Salmon"&gt;Kim Salmon&lt;/a&gt;, initially known as &lt;b&gt;Exterminators&lt;/b&gt; and then &lt;b&gt;Invaders&lt;/b&gt;. The band had two primary incarnations: the Perth-based &lt;a title="Punk rock" href="http://en.wikipedia.org/wiki/Punk_rock"&gt;punk&lt;/a&gt; band of the late 1970s and the &lt;a title="Sydney" href="http://en.wikipedia.org/wiki/Sydney"&gt;Sydney&lt;/a&gt;/&lt;a title="London" href="http://en.wikipedia.org/wiki/London"&gt;London&lt;/a&gt;-based &lt;a title="Swamp rock" href="http://en.wikipedia.org/wiki/Swamp_rock"&gt;swamp rock&lt;/a&gt; band of the 1980s. The Scientists were much more influential than their minimal commercial success would indicate, lending their influence to artists such as &lt;a title="Mudhoney (band)" href="http://en.wikipedia.org/wiki/Mudhoney_(band)"&gt;Mudhoney&lt;/a&gt; and &lt;a title="New York" href="http://en.wikipedia.org/wiki/New_York"&gt;New York&lt;/a&gt;’s downtown &lt;a title="Indie music scenes" href="http://en.wikipedia.org/wiki/Indie_music_scenes"&gt;indie scene&lt;/a&gt; of the early 1990s…(&lt;a href="http://en.wikipedia.org/wiki/The_Scientists"&gt;more&lt;/a&gt;) &lt;br/&gt;&lt;/span&gt;&lt;/blockquote&gt;
&lt;p&gt;&lt;span&gt;About Laughing Hyenas:&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;&lt;span&gt;&lt;span&gt;Unlike labelmates Die Kreuzen and Scratch Acid — who were merely abrasive and unsettling — Detroit’s Laughing Hyenas were, at the outset anyway, an actively threatening outgrowth of Midwestern hardcore. Banshee John Brannon (ex-Negative Approach) rolled his eyes back in his head and smashed mics into his teeth; dressed in bad-luck tattoos, the scowling Kevin Strickland wrestled his bass; Jim Kimball menaced his drums like a criminal. Larissa Strickland (ex-L-Seven) was the only member with a smile, but her chilling, isolated guitar playing was an equally intimidating part of the group’s violent makeup…(&lt;a href="http://www.trouserpress.com/entry.php?a=laughing_hyenas"&gt;more&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/blockquote&gt;

&lt;p&gt;
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&lt;/p&gt;

&lt;p&gt;Laughing Hyenas’ version is extremely faithful to the original; Larissa Strickland, may she rest in peace, was a total shredder. Enjoy.&lt;/p&gt;
&lt;p&gt;Laughing Hyenas discography available through &lt;a href="http://www.tgrec.com/bands/band.php?id=51#"&gt;Touch &amp; Go/Quarterstick&lt;/a&gt;&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/426894257</link><guid>http://second-wave.tumblr.com/post/426894257</guid><pubDate>Thu, 04 Mar 2010 17:07:16 -0500</pubDate></item><item><title>THE CHILD MOLESTERS “DON’T WORRY KYOKO”...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_395397798" src="http://second-wave.tumblr.com/post/395397798/audio_player_iframe/second-wave/tumblr_ky0cna7Jjc1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F395397798%2Ftumblr_ky0cna7Jjc1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;THE CHILD MOLESTERS “DON’T WORRY KYOKO” (1978)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by Yoko Ono as “Don’t Worry Kyoko (Mummy’s Only Looking for Her Hand in the Snow)” on &lt;/em&gt;Fly &lt;em&gt;(Apple, 1971)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;cover version appears b/w “(I’m the) Hillside Strangler” (Ace &amp; Duce, 1978)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I figured it was about time to update old Second Wave in anticipation of Yoko Ono’s 77th birthday, and to pour more salt in my own wounds that I did NOT go to the Plastic Ono Band extravaganza at the Brooklyn Academy of Music &lt;a href="http://flavorwire.com/71078/last-nights-concert-yoko-ono-and-plastic-ono-band-at-bam"&gt;last night&lt;/a&gt; and see this song performed live by Yoko, original Plastic Ono Band members Jim Keltner and Klaus Voorman, and Ono’s son, Sean Lennon. OH, the agony of being a working stiff 200 miles away!&lt;/p&gt;
&lt;p&gt;Not my favorite Child Molesters song (the A-side here), but an interesting take. I can’t remember where I found the entire CM discography before Sympathy for the Record Industry reissued it—a quick Googling will direct you accordingly. Good, old-fashioned snotty dirt punk similar to Really Red and pretty much anything you’d find on Killed by Death.&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/395397798</link><guid>http://second-wave.tumblr.com/post/395397798</guid><pubDate>Wed, 17 Feb 2010 17:47:00 -0500</pubDate><category>punk</category><category>70s</category><category>live</category></item><item><title>ABWÄRTS “MOON OF ALABAMA” (1979)

written by Bertolt...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_333411966" src="http://second-wave.tumblr.com/post/333411966/audio_player_iframe/second-wave/tumblr_kw7vhi05XK1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F333411966%2Ftumblr_kw7vhi05XK1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;ABWÄRTS “MOON OF ALABAMA” (1979)&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;img height="258" width="450" src="http://userserve-ak.last.fm/serve/_/5981829/abwarts++band+pic.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;written by Bertolt Brecht; set to music by Kurt Weill (1927); popularized by The Doors as “Alabama Song (Whisky Bar)” (s/t, 1967) and David Bowie (b/w “Space Oddity (Acoustic Version), 1982)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;cover version available on &lt;/i&gt;&lt;i&gt;Computerstaat (Zick Zack, 1979)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Abwärts are (still ?!) a German Neue Deutsche Welle (new wave)/post-punk band. Members later went on to join &lt;a title="Einstürzende Neubauten" href="http://en.wikipedia.org/wiki/Einst%C3%BCrzende_Neubauten"&gt;Einstürzende Neubauten&lt;/a&gt;. I just heard the Doors’ version of this song for the first time earlier today, and while both version have their charm, I’d have to say the Doors’ cover is infinitely better.&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p&gt;That said, &lt;i&gt;Computerstaat&lt;/i&gt; is an incredible record—really, anything from &lt;a href="http://www.discogs.com/label/Zickzack"&gt;Zick Zack&lt;/a&gt;’s catalogue is (personal picks: Palais Schaumburg, Geisterfahrer, Die Tödliche Doris, Front, Die Raderer, Ti-Tho, so on and so forth until infinity). Do yourself a favor and find EVERYTHING you can from this era.&lt;/p&gt;
&lt;p&gt;more on Abwärts at Abwärts’ official &lt;a href="http://www.abwaerts.rodrec.com/"&gt;website&lt;/a&gt; (in German)&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/333411966</link><guid>http://second-wave.tumblr.com/post/333411966</guid><pubDate>Wed, 13 Jan 2010 22:10:30 -0500</pubDate></item><item><title>THE MO-DETTES “PAINT IT BLACK” (1980)

originally...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_317353864" src="http://second-wave.tumblr.com/post/317353864/audio_player_iframe/second-wave/tumblr_kvr7jfXRAF1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F317353864%2Ftumblr_kvr7jfXRAF1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="169"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;THE MO-DETTES “PAINT IT BLACK” (1980)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img height="475" width="450" src="http://www.londonlee.com/chipshop/chippics/modettes2.jpg"/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;originally recorded by The Rolling Stones (&lt;/em&gt;Aftermath&lt;em&gt;, 1966)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;cover appears on “Paint It Black” b/w “Bitta Truth” (1980) and &lt;/em&gt;The Story So Far&lt;em&gt; (Deram, 1981)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The Mo-dettes were a girl punk group founded by Kate Korris, a former member of the Slits and the Raincoats. When filesharing was a relatively new concept, their only record, &lt;em&gt;The Story So Far&lt;/em&gt;, was among the first records I downloaded, 10 years ago.&lt;/p&gt;
&lt;p&gt;
&lt;object type="application/x-shockwave-flash" data="http://www.youtube.com/v/S0JCoMYpiA0&amp;hl=en_US&amp;fs=1&amp;" width="425" height="275"&gt;
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&lt;/p&gt;
&lt;p&gt;They are probably best known for “White Mice”, which (along with the b-side “Masochistic Opposite”) still holds up some 30 years after it was recorded. Their straight-forward cover of “Paint it Black” is absolutely glorious. For fans of Kleenex, Delta 5, but NOT fans of the Go-Gos or Dolly Mixture (there was some &lt;a href="http://everything2.com/title/the+Mo-dettes"&gt;beef&lt;/a&gt;, apparently). &lt;a href="http://www.cherryred.co.uk/cherryred/artists/modettes.php"&gt;Cherry Red&lt;/a&gt; has reissued pretty much every recording made by the Mo-dettes, with the exception of their Peel Sessions, which if you can track them down, are excellent.&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/317353864</link><guid>http://second-wave.tumblr.com/post/317353864</guid><pubDate>Mon, 04 Jan 2010 22:11:00 -0500</pubDate><category>uk</category><category>punk</category><category>girl_groups</category><category>80s</category><category>newwave</category></item><item><title>THE GET HUSTLE “MOUNTAIN HIGH, VALLEY LOW”...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_257749850" src="http://second-wave.tumblr.com/post/257749850/audio_player_iframe/second-wave/tumblr_ktp66h9ZWw1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F257749850%2Ftumblr_ktp66h9ZWw1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;THE GET HUSTLE “MOUNTAIN HIGH, VALLEY LOW” (2000)&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://userserve-ak.last.fm/serve/500/8949869/Get+Hustle+l_212940771003e94bf3eaff04afca.jpg" width="500" height="431"/&gt;&lt;/p&gt;
&lt;p&gt;written by Raymond Scott; popularized by Eartha Kitt (1953)&lt;/p&gt;
&lt;p&gt;cover version available on &lt;i&gt;Earth Odyssey&lt;/i&gt; (5 Rue Christine, 2000)&lt;/p&gt;
&lt;p&gt;For heavy times.&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/257749850</link><guid>http://second-wave.tumblr.com/post/257749850</guid><pubDate>Wed, 25 Nov 2009 22:39:53 -0500</pubDate></item><item><title>UNREST “WINONA RYDER” (c. 1991)

originally recorded...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_222195790" src="http://second-wave.tumblr.com/post/222195790/audio_player_iframe/second-wave/tumblr_ks1jjf5H5Q1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F222195790%2Ftumblr_ks1jjf5H5Q1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;UNREST “WINONA RYDER” (c. 1991)&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;img height="381" width="425" src="http://autopia.powweb.com/uploadimages/feature/67.jpg"/&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;originally recorded by Family Fodder as “Debbie Harry” (“Debbie Harry” b/w “A Version”, Fresh 45 1980)&lt;/p&gt;
&lt;p&gt;cover versions available on &lt;i&gt;B.P.M. 1991-1994 &lt;/i&gt;(Teenbeat, 1995)&lt;/p&gt;
&lt;p&gt;I can’t begin to tell you how important the music of &lt;a href="http://www.urbanhonking.com/greatestband/archives/2004/06/when_you_make_m.html"&gt;Family Fodder&lt;/a&gt; has been to me this week. They make me so very happy. You should run out and pick up their entire discography, post haste.&lt;/p&gt;
&lt;p&gt;Family Fodder’s “Debbie Harry” (1980)&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p&gt;Mark Robinson’s &lt;a href="http://en.wikipedia.org/wiki/Unrest_(band)"&gt;Unrest&lt;/a&gt;, a long-time favorite (along with pretty much everything that Mark Robinson’s ever done), did a send-up of this new wave classic—their version, an ode to 90s teen screen queen Winona Ryder. They recorded two versions, one with Mark singing (XX version), and the other with Bridget Cross (XYversion). Included here is Mark’s version, which I think is a little bit saucier, and really, I just love his voice to bits.&lt;/p&gt;
&lt;p&gt;Enjoy!&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/222195790</link><guid>http://second-wave.tumblr.com/post/222195790</guid><pubDate>Sat, 24 Oct 2009 18:52:00 -0400</pubDate><category>90s</category><category>pop</category></item><item><title>NEONBABIES “BIG SPENDER” (1981)

popularized by...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_204577018" src="http://second-wave.tumblr.com/post/204577018/audio_player_iframe/second-wave/tumblr_kr0k0h1xcY1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F204577018%2Ftumblr_kr0k0h1xcY1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;NEONBABIES “BIG SPENDER” (1981)&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;img height="421" width="450" src="http://musicophiliadaily.files.wordpress.com/2009/06/neonbabies-big-spender-1981.jpg"/&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;popularized by Peggy Lee in 1966; written by Cy Coleman and Dorothy Fields for the musical &lt;/i&gt;Sweet Charity&lt;/p&gt;
&lt;p&gt;cover version available on &lt;i&gt;Neonbabies &lt;/i&gt;(Good Noise, 1981)&lt;/p&gt;
&lt;p&gt;A lesser known gem from the NDW (Neue Deutsche Welle) era in Germany. Neonbabies released 3 records in the early 1980s, and have since disappeared into the ether. Also featured on their debut is an excellent cover of the Rolling Stones’ “Jumping Jack Flash”.&lt;/p&gt;
&lt;p&gt;Recommended blogload: Neonbabies on &lt;a href="http://www.eggcityradio.com/?p=135"&gt;Egg City Radio&lt;/a&gt;&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/204577018</link><guid>http://second-wave.tumblr.com/post/204577018</guid><pubDate>Sun, 04 Oct 2009 19:31:29 -0400</pubDate><category>ndw</category><category>germany</category><category>obscure</category><category>80s</category></item><item><title>FLIPPER “PROBLEM CHILD” 

originally recorded by...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_194662205" src="http://second-wave.tumblr.com/post/194662205/audio_player_iframe/second-wave/tumblr_kqembcykYc1qzzaod?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fsecond-wave%2F194662205%2Ftumblr_kqembcykYc1qzzaod" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;FLIPPER “PROBLEM CHILD” &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;img height="625" width="425" src="http://farm2.static.flickr.com/1025/548465482_2f843d3ad0.jpg"/&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;originally recorded by AC/DC (&lt;i&gt;Dirty Deeds Done Dirt Cheap&lt;/i&gt; Albert, 1976)&lt;/p&gt;
&lt;p&gt;cover version appears on &lt;i&gt;Sex Bomb Baby&lt;/i&gt; compilation (Infinite Zero/Subterranean, 1995)&lt;/p&gt;
&lt;p&gt;AC/DC and Flipper totally don’t need any sort of introduction or explanation, other than to say they both KILL (well, Bon Scott-era AC/DC to be specific). Not to say that this song is exceptional (see below), but I can’t think of another band from whom I’d want to hear a cover of this song.&lt;/p&gt;
&lt;p&gt;More about Flipper on &lt;a href="http://en.wikipedia.org/wiki/Flipper_(band)"&gt;Wikipedia&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Flipper on Youtube:&lt;/p&gt;
&lt;p&gt;
&lt;object height="344" width="425" data="http://www.youtube.com/v/u4ZLkl15_d8&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash"&gt;
&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="src" value="http://www.youtube.com/v/u4ZLkl15_d8&amp;hl=en&amp;fs=1&amp;"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;/object&gt;
&lt;/p&gt;
&lt;p&gt;“Sacrifice” from 1983&lt;/p&gt;
&lt;p&gt;
&lt;object height="344" width="425" data="http://www.youtube.com/v/UaDRSrlmQeA&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash"&gt;
&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;param name="src" value="http://www.youtube.com/v/UaDRSrlmQeA&amp;hl=en&amp;fs=1&amp;"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;/object&gt;
&lt;/p&gt;
&lt;p&gt;“Love Canal” from Target Video (God….THIS SONG!!!! You don’t even understand.)&lt;/p&gt;
&lt;p&gt;FACT: Nirvana would probably not have existed if it were not for Flipper. &lt;a href="http://www.nirvana-music.com/new-flipper-album-features-krist-novoselic.html"&gt;Krist Novaselic&lt;/a&gt; knows!&lt;/p&gt;</description><link>http://second-wave.tumblr.com/post/194662205</link><guid>http://second-wave.tumblr.com/post/194662205</guid><pubDate>Tue, 22 Sep 2009 23:14:00 -0400</pubDate><category>SF</category><category>punk</category><category>legendary</category></item></channel></rss>
